![the enola gay smithsonian the enola gay smithsonian](https://static01.nyt.com/images/2015/04/12/sunday-review/12GUP/12GUP-superJumbo.jpg)
Appendices offer information on content analysis of the National Air and Space Museum exhibit script, non-museum materials that were intended to complement the exhibit script, and the importance of full disclosure in research. The Enola Gay was a B-29 bomber that is best known for dropping an atomic bomb on Japan in 1945. The viewpoints of such groups as museum personnel, exhibit organizers, veterans, and historians are covered. Issues covered include casualty figures, ethical questions, and political correctness, among others.
![the enola gay smithsonian the enola gay smithsonian](https://mammothmemory.net/images/user/base/History/enola-gay-world-war-ii-history.c12a534.jpg)
![the enola gay smithsonian the enola gay smithsonian](https://airandspace.si.edu/sites/default/files/images/exhibitions/hero-images/95-4625h.jpg)
Veterans, for example, complained that the museum displayed a misrepresented version of history.Īfter concisely covering the background of the Enola Gay and its mission, this study focuses on the controversy surrounding the museum exhibit. A controversy erupted, however, over the exhibit’s historical authenticity. National Air and Space Museum, Smithsonian Institution, Exhibi tion Planning Document: The Crossroads: The Atomic Bomb and the. of the exhibit detailed the painstaking efforts of Smithsonian aircraft. For the 50th anniversary of this major event in world history, the National Air and Space Museum of the Smithsonian Institution produced an exhibit. It contained several major components of the Enola Gay, the B-29 bomber used in. The Smithsonian Institution acquired the Enola Gay- the B-29 that dropped the first atomic bomb - forty-four years ago.After a decade of deterioration in open weather, the aircraft was put into storage in 1960. On August 6, 1945, the B-29 Enola Gay dropped an atomic bomb on Hiroshima, Japan, which ushered on the end of World War II. At the Smithsonian, history grapples with cultural angst.